Saturday, January 25, 2020

Seoul, Nat'l Museum of Modern and Contemporary Art

Trying to fit some high culture into my winter vacation/Seollal holiday, I dropped by NMMCA, and spent over two hours there: it is quite large with a about eight galleries, and had several things of interest. Best photo of the day:


One of the first parts of the first gallery is an exhibit of an art group's working area, including just a bunch of stuff in storage:


The next exhibit was a two room mixed media presentation (and the green hallway between them which makes odd whispering sounds) was about the nature of identity in a world of passports and DNA; it was quite interesting, but like much of art today relies heavily on video.


Speaking of video, this artist recording himself building a 1 pyeong (about 3 sq. meter) hut, or trying to, as it kept getting blown over, swept out to sea, etc.


This artist had images representing her fears on the glass cylinders (which were spinning) and projecting their shadows outward; the next one was about the impossibility of capturing the fluid motion of ocean waves in concrete.


In the center of this installation "Barefoot", a mechanical thing which makes squeaking noises representing Siddhartha, already in the state of nirvana, extending his feet toward his beloved disciple Gasupjonja. This is surrounded by "Gathering", a series of animals mourning the death of Siddhartha (incl. details).


A work called Kyon-Woo-JickNyo, which has a model earth suspended between North and South Korea. As sunshine energizes the solar panel, the model moves between the two, inspired by the "Sunshine Policy" of former president Kim Dae-Jung.


A toy tiger in some leaves and model buildings made of giveaway cards.


And finally:


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