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One of the first parts of the first gallery is an exhibit of an art group's working area, including just a bunch of stuff in storage:
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The next exhibit was a two room mixed media presentation (and the green hallway between them which makes odd whispering sounds) was about the nature of identity in a world of passports and DNA; it was quite interesting, but like much of art today relies heavily on video.
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Speaking of video, this artist recording himself building a 1 pyeong (about 3 sq. meter) hut, or trying to, as it kept getting blown over, swept out to sea, etc.
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This artist had images representing her fears on the glass cylinders (which were spinning) and projecting their shadows outward; the next one was about the impossibility of capturing the fluid motion of ocean waves in concrete.
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In the center of this installation "Barefoot", a mechanical thing which makes squeaking noises representing Siddhartha, already in the state of nirvana, extending his feet toward his beloved disciple Gasupjonja. This is surrounded by "Gathering", a series of animals mourning the death of Siddhartha (incl. details).
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A work called Kyon-Woo-JickNyo, which has a model earth suspended between North and South Korea. As sunshine energizes the solar panel, the model moves between the two, inspired by the "Sunshine Policy" of former president Kim Dae-Jung.
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A toy tiger in some leaves and model buildings made of giveaway cards.
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And finally:
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1 comment:
Fantastic blog!!
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